# | Title | Studio | Role | Leading Lady | Director | Notes | |
---|---|---|---|---|---|---|---|
- 1941 - | |||||||
94 | A Man Betrayed (US title) | Rep | Lynn Hollister | Frances Dee | John H. Auer | w/ Ward Bond | |
Citadel of Crime (GB title) | |||||||
Wheel of Fortune (TV title) | |||||||
95 | Lady from Louisiana | Rep | John Reynolds | Ona Munson | Bernard Vorhaus | w/ Ray Middleton, Henry Stephenson. | |
96 | The Shepherd of the Hills | Par | Matt Matthews | Betty Field | Henry Hathaway | w/ Harry Carey. Wayne's first film in color (Technicolor). | |
97 | Meet the Stars: Past and Present | Rep | Himself | - | Harriet Parsons | A promotional short. | |
- 1942 - | |||||||
98 | Lady for a Night | Rep | Jack Morgan | Joan Blondell | Leigh Jason | Wayne is billed second. | |
99 | Reap the Wild Wind | Par | Capt. Jack Stuart | Paulette Goddard | Cecil B. DeMille | w/ Ray Milland, Raymond Massey, Robert Preston, Susan Hayward. Filmed in Technicolor. Wayne is billed second[1] in this sea-faring epic. His only film with DeMille. | |
100 | The Spoilers | Uni | Roy Glennister | Marlene Dietrich | Ray Enright | w/ Randolph Scott, Harry Carey, Richard Barthelmess. Sprawling version of the Rex Beach novel[2], climaxing with an epic saloon fight between Wayne and Scott (in a rare villainous role). Wayne is billed third. | |
Margaret Lindsay | |||||||
101 | In Old California | Rep | Tom Craig | Binnie Barnes | William McGann | Wayne plays a pharmacist in this film, which was the occupation of his real-life father. | |
102 | Flying Tigers | Rep | Jim Gordon | Anna Lee | David Miller | Wayne's first war movie. | |
103 | Reunion in France (US title) | MGM | Pat Talbot | Joan Crawford | Jules Dassin | w/ Philip Dorn. | |
Mademoiselle France (GB title) | |||||||
104 | Pittsburgh | Uni | Charles "Pittsburgh" Markham | Marlene Dietrich | Lewis Seiler | w/ Randolph Scott, Shemp Howard. An unrelated follow-up to the The Spoilers with the same three leads. Wayne is billed third. | |
Louise Albritton | |||||||
- 1943 - | |||||||
105 | A Lady Takes a Chance | RKO | Duke Hudkins | Jean Arthur | William A. Seiter | Wayne billed second. Produced by Frank Ross (Arthur's husband). | |
106 | In Old Oklahoma | Rep | Dan Somers | Martha Scott | Al Rogell | w/ Albert Dekker, George "Gabby" Hayes, Dale Evans. | |
War of the Wildcats (re-issue title) | |||||||
- 1944 - | |||||||
107 | The Fighting Seabees | Rep | Wedge Donovan | Susan Hayward | Edward Ludwig | Another war movie, this one dealing with the US Navy's famed construction battalion. | |
108 | Tall in the Saddle | RKO | Rocklin | Ella Raines | Edwin L. Marin | w/ Ward Bond, George "Gabby" Hayes | |
109 | Flame of Barbary Coast | Rep | Duke Fergus | Ann Dvorak | Joseph Kane | w/ Joseph Schildkraut, William Frawley. | |
110 | Back to Bataan | RKO | Col. Joseph Madden | - | Edward Dmytryk | w/ Anthony Quinn, Beulah Bondi. | |
111 | They Were Expendable | MGM | Lt. Rusty Ryan | Donna Reed | John Ford | w/ Robert Montgomery, Jack Holt, Ward Bond. Wayne gets second billing to Montgomery in this film about naval PT boats. | |
- 1945 - | |||||||
112 | Dakota | Rep | John Devlin | Vera Hruba Ralston | Joseph Kane | w/ Walter Brennan, Ward Bond. | |
- 1946 - | |||||||
113 | Without Reservations | RKO | Rusty Thomas | Claudette Colbert | Mervyn LeRoy | w/Don DeFore. Wayne has second billing under Colbert. From this point on Wayne would always have top billing (except for appearances in "all-star" films or guest appearances). | |
- 1947 - | |||||||
114 | Angel and the Badman | Rep | Quirt Evans | Gail Russell | James Edward Grant | w/ Bruce Cabot, Harry Carey. Wayne's first film as producer as well as star. | |
115 | Tycoon | RKO | Johnny Munroe | Laraine Day | Richard Wallace | w/ Sir Cedric Hardwicke, Anthony Quinn, Judith Anderson, James Gleason. Location shooting at Lone Pine. Filmed in Technicolor. | |
- 1948 - | |||||||
116 | Red River | Mon | Thomas Dunson | Joanne Dru | Howard Hawks | w/ Montgomery Clift,[3] Walter Brennan, John Ireland, Harry Carey, Harry Carey, Jr., Noah Beery, Jr., Hank Worden. Generally regarded as one of Wayne's finest films and finest performances. His first film with director Hawks. | |
UA | Coleen Gray | ||||||
117 | Fort Apache | Arg | Capt. Kirby York | Shirley Temple | John Ford | w/ Henry Fonda, John Agar, Victor McLaglen, Ward Bond, George O'Brien. The first of Ford's "cavalry trilogy." Filmed on location in Monument Valley. | |
RKO | |||||||
118 | 3 Godfathers | Arg | Robert Marmaduke Hightower | Mildred Natwick | John Ford | Filmed in Technicolor on location in Death Valley, California.[4] | |
MGM | |||||||
119 | Wake of the Red Witch | Rep | Edward Ludwig | Gail Russell | Capt. Ralls | w/ Gig Young, Adele Mara, Luther Adler. | |
- 1949 - | |||||||
120 | The Fighting Kentuckian | Rep | John Breen | Vera Hruba Ralston | George Waggner | w/ Philip Dorn, Oliver Hardy,[5] Marie Windsor. Wayne produced this film. | |
121 | She Wore a Yellow Ribbon | Arg | Capt. Nathan Brittles | Joanne Dru | John Ford | w/John Agar, Victor McLaglen, Harry Carey, Jr., Mildred Natwick, George O'Brien. The second film in Ford's "cavalry trilogy." Filmed in Technicolor on location in Monument Valley. | |
RKO | |||||||
122 | Screen Snapshots: Hollywood Rodeo | Col | Himself | - | Ralph Staub | A documentary short. | |
123 | Sands of Iwo Jima | Rep | Sgt. John M. Stryker | Adele Mara | Allan Dwan | w/ John Agar, Forrest Tucker. Wayne received his first Academy Award nomination for this film. | |
Julie Bishop | |||||||
NOTE: After filming Sands of Iwo Jima Wayne made Jet Pilot. However, Jet Pilot was not released theatrically until 1957. Therefore, it appears in this filmography under that year of release as entry number 143. | |||||||
- 1950 - | |||||||
124 | Rio Grande[6] | Arg | Lt. Col. Kirby Yorke[7] | Maureen O'Hara | John Ford | w/ Ben Johnson, Claude Jarman, Jr., Harry Carey, Jr., and Victor McLaglen. The last of Ford's "cavalry trilogy" and Wayne's first of five teamings with O'Hara. Filmed on location in Monument Valley. | |
Rep | |||||||
- 1951 - | |||||||
125 | Screen Snapshots: Reno's Silver Spur Awards | Col | Himself | - | Ralph Staub | A documentary short. | |
126 | Operation Pacific | WB | "Duke" Gifford | Patricia Neal | George Waggner | w/ Ward Bond. | |
127 | The Screen Director | WB | Himself | - | - | A promotional short featuring a scene on the set of Operation Pacific with John Ford directing Wayne. (Actually, George Waggner was the director of that film, so this scene was obviously staged.) | |
128 | Screen Snapshots: Hollywood Awards | Col | Himself | - | Ralph Staub | A documentary short. | |
129 | Flying Leathernecks | RKO | Major Dan Kirby | - | Nicholas Ray | w/ Robert Ryan. Produced by Howard Hughes. | |
- 1952 - | |||||||
130 | Miracle in Motion | Rep | Narrator | - | - | Wayne narrates this fund-raiser for the benefit of the United Cerebral Palsy Foundation. | |
131 | The Quiet Man | Arg | Sean Thornton | Maureen O'Hara | John Ford | Filmed in Technicolor on location in Ireland. One of Wayne's most beloved films. His children Michael, Patrick, Melinda, and Antonia have small roles in the film. | |
Rep | |||||||
132 | Big Jim McLain | W-F | Big Jim McLain | Nancy Olsen | Edward Ludwig | w/ James Arness, Alan Napier. An anti-communist action film. Generally considered to be one of Wayne's worst films. Produced by Wayne. | |
WB | |||||||
- 1953 - | |||||||
133 | Trouble Along the Way | WB | Steve Aloysius Williams | Donna Reed | Michael Curtiz | w/ Charles Coburn, Sherry Jackson. | |
134 | Island in the Sky | W-F | Capt. Dooley | - | William A. Wellman | w/ Lloyd Nolan, Walter Abel, James Arness. Wayne also produced. | |
WB | |||||||
135 | Hondo | W-F | Hondo Lane | Geraldine Page | John Farrow | w/ Ward Bond, Michael Pate, James Arness. Based on a story by Louis L'Amour. Filmed in 3D and WarnerColor. Wayne also produced. | |
WB | |||||||
- 1954 - | |||||||
136 | The High and the Mighty | WB | Dan Roman | Claire Trevor | William A. Wellman | w/ Robert Stack, Phil Harris, Robert Newton, Paul Kelly. Wayne also produced this aviation drama. A big hit in its day, filmed in CinemaScope and WarnerColor. This was Wayne's first wide-screen film since The Big Trail (1930). | |
W-F | Laraine Day | ||||||
Batjac | Jan Sterling | ||||||
Par | |||||||
- 1955 - | |||||||
137 | The Sea Chase | WB | Capt. Karl Ehrlich | Lana Turner | John Farrow | w/ David Farrar, Tab Hunter, James Arness. Filmed in CinemaScope and WarnerColor on location in Hawaii. Wayne took an unusual role as a WWII German naval officer. | |
138 | Screen Snapshots: The Great Al Jolson | Col | Himself | - | Ralph Staub | A documentary short salute Jolson. Wayne is one of the celebrities shown in the film. | |
139 | Blood Alley | WB | Captain Tom Wilder | Lauren Bacall | William A. Wellman | Filmed in CinemaScope and WarnerColor. Wayne produced this film and replaced Robert Mitchum after firing him. | |
- 1956 - | |||||||
140 | The Conqueror | RKO | Temüjin (Genghis Khan) | Susan Hayward | Dick Powell | w/ Pedro Armendariz, Agnes Moorehead. Filmed in CinemaScope and Technicolor. Produced by Howard Hughes. Generally regarded as one of the worst movies ever made. | |
141 | The Searchers | CVW | Ethan Edwards | Vera Miles | John Ford | w/ Jeffrey Hunter, Ward Bond, Henry Brandon, Olive Carey, John Qualen, Hank Worden, Patrick Wayne. Filmed in VistaVision and Technicolor. Generally regarded as one of the greatest movies ever made. | |
WB | Natalie Wood | ||||||
Dorothy Jordan | |||||||
- 1957 - | |||||||
142 | The Wings of Eagles | MGM | Frank "Spig" Wead | Maureen O'Hara | John Ford | w/ Dan Dailey, Ward Bond,[8] Ken Curtis, Edmund Lowe. Filmed in Metrocolor. | |
143 | Jet Pilot | RKO | Colonel Jim Shannon | Janet Leigh | Josef von Sternberg | Filmed in Technicolor and released in RKO-Scope. Shot in 1949–1950 but not released until 1957. Produced by Howard Hughes. Generally regarded as one of Wayne's worst films. | |
Uni | |||||||
144 | Legend of the Lost | Batjac | Joe January | Sophia Loren | Henry Hathaway | w/ Rossano Brazzi. Filmed in Technirama and Technicolor on location in the Libyan desert. | |
UA | |||||||
- 1958 - | |||||||
145 | I Married a Woman | RKO | Himself | Angie Dickinson | Hal Kanter | Wayne has a unbilled cameo in this minor comedy starring George Gobel and Diana Dors. Filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. | |
Uni | |||||||
146 | The Barbarian and the Geisha | 20th | Townsend Harris | Eiko Ando | John Huston | w/ Sam Jaffe. Inspired by a true story. Filmed in CinemaScope and Eastmancolor. | |
- 1959 - | |||||||
147 | Rio Bravo | Arm | John T. Chance | Angie Dickinson | Howard Hawks | w/ Dean Martin, Ricky Nelson, Walter Brennan, Ward Bond, John Russell, Claude Akins. Generally regarded as one of Wayne's best, provided the template and format for many of his later films. | |
WB | |||||||
148 | The Horse Soldiers | UA | Col. John Marlowe | Constance Towers | John Ford | w/ William Holden, Hoot Gibson. Filmed in Deluxe color. | |
- 1960 - | |||||||
149 | The Alamo | Batjac | Col. David Crockett | Linda Cristal | John Wayne | w/ Richard Widmark, Laurence Harvey, Richard Boone, Chill Wills, Frankie Avalon, Patrick Wayne. Wayne fulfilled a long-time dream by producing, directing, and starring in this epic telling of the battle for Texas independence. Filmed in Todd-AO and Technicolor. | |
UA | |||||||
150 | North to Alaska | 20th | Sam McCord | Capucine | Henry Hathaway | w/ Stewart Granger, Ernie Kovacs, Fabian. Filmed in CinemaScope and Deluxe color. |